A jury has found that Live Nation has been illegally operating as a monopoly in violation of federal and state antitrust laws. The decision arrived following a seven-week trial and four days of deliberations. Penalties against the live-music industry giant will be decided at a later date, but they could range from monetary damages to a break up of Live Nation and Ticketmaster, which the former acquired in 2009. Live Nation has previously denied acting as a monopoly.
The decision arrives a month after the company reached an initial settlement, which required Live Nation to divest from 13 of its amphitheaters and cap its exclusivity contracts with venues at four years. Ticketmaster also had to permit competitors, such as SeatGeek and Eventbrite, to sell their tickets through its platform. Notably, the DOJ did not require Live Nation to split from Ticketmaster. While seven of the plaintiff states accepted the initial DOJ’s terms, the attorneys general for more than 30 states stayed on the case, arguing that the terms needed to be stricter to lessen Live Nation’s market dominance.
Last month, the Wall Street Journal reported that President Trump personally intervened in the Live Nation case, and that both sides hashed out the initial March 9 agreement at the White House four days before it was announced publicly. On April 14, a group of U.S. Senators—Amy Klobuchar (D-MN), Elizabeth Warren (D-MA), Cory Booker (D-NJ), Richard Blumenthal (D-Ct.), Mazie Hirono (D-HI.), and Peter Welch (D-VT.)—asked the U.S. District Court for the Southern District of New York to reexamine the settlement and whether a deal was “made in response to political pressure,” per Variety, adding—in a nod to WSJ’s story—that “reports indicate that President Trump was even involved in efforts to settle the case and that the terms of the settlement were negotiated at the White House. No one representing the interests of consumers, fans, artists, or venues was present.”
Pitchfork has reached out to Live Nation for comment.
“Today’s decision is an enormous victory for fans, musicians, and independent venues everywhere, and a huge step forward in the fight for a more just live music industry,” a spokesperson for United Musicians and Allied Workers told Pitchfork. “We hope the judge will now determine that the jury’s findings warrant a full breaking up of Live Nation – Ticketmaster.”
In a statement, Stephen Parker, executive director of the National Independent Venue Associaion (NIVA), shared, “Live Nation and Ticketmaster must be broken up now. Ticketmaster should not be permitted to participate in the ticket resale market. Live Nation should not be able to promote more than 50% of artists’ tours. And the damages paid to the states should be remitted to the independent venues, promoters, festivals, and fans that have suffered under Live Nation’s monopolistic reign over the last 15 years.”
The Department of Justice and the attorneys general for 38 states first filed an antitrust lawsuit against Live Nation Entertainment in 2024, alleging that the company held a monopoly over the live music industry and calling for its break up. The suit argued that the concert giant was breaching antitrust laws through its exclusivity contracts, threats to rivals, and leveraging of market domination over artists, resulting in inflated prices and stifled competition.
“These service providers should work to serve the interests of artists and fans,” the suit argued. “Genuine competition for and among these service providers would generate the best, most cost-effective, and fan-friendly experience. But the world live music fans live in today is far from that.”
Four days into the trial, internal Slack messages between Ben Baker, head of ticketing for Venue Nation, and Jeff Weinhold, a senior director in the ticketing department, were made available after a number of publications successfully petitioned New York federal judge Arun Subramanian to release them. The conversations centered on Live Nation’s exorbitant pricing and the effect it has on fans, with Baker bragging in one message, “Robbing them blind, baby” and referred to customers as “so stupid,” claiming that he almost feels “bad taking advantage of them BAHAHAHAHAHA.”
Live Nation currently owns or controls more than 265 concert venues across North America—including over 60 percent of the main 100 amphitheaters in the United States and, through Ticketmaster, around 80 percent of major venues’ ticketing for concerts.
