The Weeknd and Playboi Carti are the most popular theyâve ever been, with a combined monthly listener count thatâs 257 times the population of Luxembourg. It makes sense theyâd drop a joint flex called âTimeless,â in which they moan stock tropes about being so successful theyâre eternally famous. Whatâs surprising is how tasteful the tune sounds, a far cry from the bombastic decadence of Abel Tesfayeâs synth pop and Cartiâs flamethrower rage. Seamless and languid, itâs less the lurid stadium supernova youâd expect than a sweet pixelated slink. Call it cosmic lounge music, timeless in the sense that they sound like theyâre on vacation in a Milky Way of gold chains and bespoke Rick Owens, unconcerned with the frenzied rush of the present.
Of course, everything about the song is deeply manicured and timely. Six people labored over the beat (among them Pharrell, Ojivolta, and Mike Dean), and it comes right as the Weeknd and Carti are feverishly teasing new albums, Hurry Up Tomorrow and I Am Music. This is the latest in a string of major features for Carti, whoâs become something like the Ty Dolla $ign of fried 2020s blockbustersâfrom the glittery pop of âI LUV ITâ to his guttural bursts on âCarnival,â âFe!n,â and âType Shit.â Everyone wants a piece of his mystery, a chance to siphon aura points from Cartiâs kingdom of cult fans. Itâs an especially fitting move for Abel, whose once enigmatic thrill has dissipated as heâs gone global. As timeless as they claim to be, they both seem to know their fame wonât last forever.